GOBAN SI MANUSIA TAPI ROBOT 3 MOVIE

Durant) - with the movie detailing Peyton's eventual transformation into the title figure and his continuing efforts at avenging his fate. One of Sam Raimi's best films, Darkman follows Liam Neeson's Peyton Westlake as he's tortured and left for dead by a sinister gangster (Larry Drake's Robert G. It's just as clear, however, that the film picks up for a gleefully, insanely outrageous final stretch, which ensures that Evil Dead II both ends on a positive note and lives up to its place as a memorably gruesome (and often very funny) splatfest. Having said that, Evil Dead II does begin to run out of steam at around the one hour mark - with the movie, like its forebear, simply unable to sustain the fast-paced and incredibly broad tone for the duration of its brisk running time. (It's especially difficult not to get a kick out of Ash's ongoing fight with his possessed hand.) Raimi's decision to bring a new batch of characters to the cabin about halfway through prevents stagnancy from setting in, as the new blood, so to speak, ensures that the movie, up to a point, doesn't quite suffer from the repetitiveness that plagued the first movie.

There's little doubt that Evil Dead II, for the most part, improves upon its entertaining yet erratic predecessor, as filmmaker Sam Raimi, along with coscreenwriter Scott Spiegel, places a consistent emphasis on Campbell's always-entertaining protagonist and, in fact, devotes a good chunk of the first half to Ash's solo exploits - with the character's efforts at battling demonic forces certainly standing as a ludicrously over-the-top highlight within the entire series. The film recovers for a splatter-filled third act that is, admittedly, as exhausting as it is fun, and it's finally clear that The Evil Dead stands as a striking debut from a filmmaker who would go on to much, much better things.Ī sort-of-remake-but-mostly-sequel to 1981's The Evil Dead, Evil Dead II follows Bruce Campbell's Ash as he's once again forced to battle bloodthirsty demons within a remote cabin in the woods. It's disappointing to note, then, that The Evil Dead does begin to lose its way as it enters its mixed-bag midsection, as Raimi's screenplay adopts a fairly repetitive structure revolving around aforementioned flesh-possessing demons' growing incursion on the heroes - with the less-than-captivating feel compounded by a roster of decent yet one-dimensional protagonists (ie Campbell's Ash is, naturally, the only figure able to make a reasonably strong impact). And while it's admittedly difficult not to question the intelligence of these people (ie that cabin is awfully remote), Raimi does a superb job of building tension by emphasizing the many creepy happenings in and around the movie's central locale. Raimi's impressive comfort behind the camera is apparent right from the word go, as The Evil Dead kicks off with a captivating (and thoroughly stylish) opening stretch that effectively establishes the characters and the evil force lurking in the woods. Sam Raimi's first directorial effort, The Evil Dead follows five friends (Ellen Sandweiss' Cheryl, Hal Delrich's Scott, Betsy Baker's Linda, Sarah York's Shelly, and Bruce Campbell's Ash) as they arrive at a remote cabin in the woods and are soon besieged by flesh-possessing demons.

Goban si manusia tapi robot 3